John Tavener, born 1944Richard Danielpour, born 1956Julián Carrillo, born 1875Leonid Hrabovsky, born 1935Gregor Joseph Werner, born 1693Antonio Bartolomeo Bruni, born 1759Vittorio Rieti, born 1898Elliot Griffis, born 1893Karel Boleslav Jirák, born 1891Johann Ernst Bach, born 1722Joseph Boulnois, born 1884Ján Jozef Rősler, died 1813Reynaldo Hahn, died 1947Mikhail Ippolitov-Ivanov, died 1935Trevor Hold, died 2004
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In any narrative—epic, dramatic or musical—every word or tone should be like a soldier marching towards the one, common, final goal: conquest of the material. The way the artist makes every phrase of his story such a soldier, serving to unfold it, to support its structure and development, to build plot and counterplot, to distribute light and shade, to point incessantly and lead up gradually to the climax, in short the way every fragment is impregnated with its mission towards the whole, makes up this delicate and so essential objective we call FORM.
Ernst Toch
January 8th, 2006
Johannes Brahms, 1833-1897
In 1854, laboring under the “curse” of Schumann’s glowing predictions for Germany’s new rising star, a young twenty-one year old Brahms decided to publish his first chamber composition, the Piano Trio in B major, Op. 8. This was no small undertaking: Brahms was a fierce self-critic and is known to have consigned several early chamber works to the fire. Thirty-five years later, in 1890, with all but a few final works ahead, the mature, master Brahms returned to the same trio compelled to revise. With his characteristic humor, Brahms claimed, “I didn’t provide it with a new wig, just combed and arranged its hair a little”. His changes were in fact substantial: « more »
| contrapunctus diurnalis (daily counterpoint) |
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about earsense
earsense celebrates and explores how music makes "sense" with a focus on the extraodinary genre of chamber music.
The centerpiece of earsense is a comprehensive database of chamber music composers, works, events and related media called chamberbase.
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| Works |
28,896 |
| Composers |
2,511 |
| Women Composers |
178 |
| Audio / Video |
5,945 |
| Works with Audio / Video |
1,652 |
| Scores (public domain) |
2,636 |
| Glossary defintions |
708 |
| Program notes |
103 |
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